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Dracontius’ Orestes
This is the first English translation of Dracontius’ Orestes, a Latin poem from Vandal North Africa that tells the mythic story of the cycle of murder and vengeance suffered by the family of Agamemnon. This book provides the reader with a highly accurate and readable English translation of the Orestes, which is accessible for both scholarly and non-scholarly readers; it is accompanied by a full introduction and notes.The introduction discusses the literary, educational and rhetorical culture of Vandal North Africa, as well as the most important literary aspects of the Orestes including its major themes, the main literary influences upon it and its structure and style.Roche also includes a biography of Dracontius and examines the Orestes’ relationship to his other poetry, to his Christianity and to the Vandals.The notes explain all important allusions to earlier literature, they highlight themes and issues raised by each section of the poem, and they provide a comprehensive overview of each section of the work so that all readers can understand and appreciate the Orestes against the backdrop of ancient and late-antique literature. Dracontius’ Orestes is of interest to students and scholars of ancient literature, especially the Latin poetry of late antiquity, ancient epics, the reception of tragedy and comparative literature.It is also suitable for scholars of late antiquity and the general reader interested in the ancient world more broadly.
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Orestes and Other Plays
IonOrestesThe Phoenician WomenThe Suppliant WomenIn these four plays Euripides explores ethical and political themes,contrasting the claims of patriotism with family loyalty, pragmatism and expediency with justice, and the idea that 'might is right' with the ideal of clemency. Ion is a vivid portrait of the role of chance in human life and an exploration of family relationships, which combines a sympathetic portrait of a rape victim with remarks on Athenian xenophobia.In Orestes, the most popular of the tragedian's plays in the ancient world, Euripides explores the emotional consequences of Orestes' murder of his mother on the individuals concerned, and makes the tale resonate with advice to Athens about the threat to democracy posed by political pressure groups.The Suppliant Women is a commentary on the politics of empire, as the Athenian king Theseus decides to use force of arms rather than persuasion against Thebes.The Phoenician Women transforms the terrible conflict between Oedipus' sons into one of the most savage indictments of civil war in Western literature by highlighting the personal tragedy it brings.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Euripides IV : Helen, The Phoenician Women, Orestes
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers.They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations.Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.In this highly anticipated third edition, Mark Griffith and Glenn W.Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous.This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond.In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written.The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
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Orestes : and the Lifting of the Family Curse
Ideas can change the world and Hazel Marshall’s new book is about just such an idea.Our hero is bound by honour and family tradition to avenge a past wrong, for this is a tale of vendetta.Long-lasting family feuds are not rare; in his play Romeo and Juliet, Shakespeare wrote of such a case and, as so often, things did not work out well.Vendettas can also sour relations between tribes and between nations; we need only recall the long-standing confl icts all over the world: ‘past wrongs cannot be forgiven andmust never be forgotten’. Vendettas are about revenge and retribution — the situation young Orestes found himself in.Family honour obliged him to avenge his father’s death but in doing so, he laid himself open to retribution for his action.He was in a desperate situation, one without any prospect of a happy ending — that is, until the gods themselves stepped in.The goddess Pallas Athene had a brilliant idea. She solved Orestes’ diffi culties by fi nding another way for honour to be satisfied; she set up a Court of Justice.Invoking the sense of justice we all carry deep within our hearts, she chose twelve good men and true to hear the evidence presented byboth sides, and to weigh that evidence in their hearts.Which case best appealed to their sense of justice?Until I read the drafts of Hazel’s book, I hadn’t realised just how much we owe to those wise, ancient Greeks.You may find similar gems in this fascinating retelling of a little-known Greek Drama.
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What is the relationship between Iphigenia and Orestes in Iphigenia in Tauris?
In "Iphigenia in Tauris," Iphigenia and Orestes are siblings who share a close bond. Iphigenia initially does not recognize Orestes when he arrives in Tauris, but they eventually discover each other's true identities. Throughout the play, they work together to devise a plan to escape Tauris and return to Greece. Their relationship is characterized by loyalty, trust, and a shared determination to overcome the challenges they face.
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What is the concept of humanity in the Classical era portrayed by Orestes and Thoas in "Iphigenia in Tauris"?
In the Classical era, the concept of humanity is portrayed through the characters of Orestes and Thoas in "Iphigenia in Tauris" by Euripides. Orestes represents the struggle of human emotions and conscience as he grapples with the burden of avenging his father's death while also dealing with the guilt of matricide. Thoas, on the other hand, embodies the idea of barbarism and lack of empathy, showcasing the contrast between the civilized Greek world and the savage Taurian society. Through these characters, the play explores the complexities of human nature and the moral dilemmas faced by individuals in the Classical era.
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What is the concept of humanity in the classical era portrayed by Orestes and Thoas in "Iphigenia in Tauris"?
In "Iphigenia in Tauris," Orestes and Thoas represent contrasting views of humanity in the classical era. Orestes embodies the idea of human agency and the ability to make choices, even in the face of challenging circumstances. He grapples with moral dilemmas and ultimately chooses to prioritize his humanity over blind obedience to fate or the gods. On the other hand, Thoas represents a more traditional view of humanity as subject to the will of the gods and fate, emphasizing duty and obedience over personal agency. Through these characters, the play explores the complexities of human nature and the tension between free will and predestination.
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What is the concept of humanity in the Classical period as portrayed by Orestes and Thoas in "Iphigenia in Tauris"?
In the Classical period as portrayed in "Iphigenia in Tauris," Orestes embodies the concept of humanity through his struggle with guilt and inner conflict. Despite being driven by revenge and haunted by the Furies, Orestes ultimately shows remorse and seeks redemption, highlighting the human capacity for reflection and moral growth. On the other hand, Thoas represents a more rigid and authoritarian view of humanity, emphasizing duty and tradition over individual emotions and ethical considerations. Through these contrasting characters, the play explores the complexities of human nature and the tension between personal desires and societal expectations.
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The Oresteia : Agamemnon, Women at the Graveside, Orestes in Athens
One of the foundational texts of Western literature, the Oresteia trilogy is about cycles of deception and brutality within the ruling family of Argos.In Agamemnon, queen Clytemnestra awaits her husband’s return from war to commit a terrible act of retribution.The next plays, radically retitled here as The Women at the Graveside and Orestes in Athens, deal with the aftermath of the regicide, Orestes’ search to avenge his father’s death and his ceaseless torment.A powerful discourse on the formation of democracy, The Oresteia illuminates the tensions between loyalty to one’s family and to the community.In this classic for future generations, Oliver Taplin captures the lyricism of the original.
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The Ultimate Victory : Learn to think like a winner!
Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it.In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents.Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.
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The Corinthian Girl : Champion Athlete of Ancient Olympia
"It was time for the first race to begin. The crowed gasped as the Corinthian girl exploded from the starting point!"The Corinthian girl has no name...abandoned as a baby, she is now a slave in Athens.But her Master is a famous Olympic champion. He spots the amazing athletic talent of the Corinthian girl, and realises she could be a star at the Games in Olympia.From dawn till dusk she trains - running, jumping, throwing the javelin and the discus.One year later she is at the great Olympic stadium for the race of her life.Can the Corinthian girl win the crown and find a name and a home at last?Based on the real-life ancient Heraean Games for women and girls, held at Olympia, this is a thrilling story of athletic achievement against all the odds.
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Winner Takes Gold
It takes courage to follow your dreams . . . Young gymnast Pearl dreams of winning gold in Paris.It’s what Mum would have wanted. However, elite training camp is super tough, even with the help of best friend Ryan and rising star, Jada-Rae. Think ice baths, rivalry ... sabotage. When others will do anything to win, what will Pearl risk?Safety? Morals? Friendships? This thrilling tale reminds us sport is about more than medals. It's about making friends, being brave and freeing your soul. An all-action sporting drama set in the world of gymnastics, from the author of Sister to a Star Packed full of friendships, drama and action; perfect for tweens aged 10-13 years Author Eloise Smith is a former Olympic fencer and three-time Commonwealth gold medal winner! 'A gymnastic fantastic read' CATE SHEARWATER, AUTHOR OF SOMERSAULTS AND DREAMS 'Perfect for book clubs, Winner Takes Gold celebrates honesty, fair play and the value of true friendship.' THE SCHOOL READING LIST
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Is a 10-0 victory against Morocco not very unworthy for a reigning world champion?
A 10-0 victory against any team is an impressive feat, regardless of their status as a reigning world champion. It demonstrates the skill and dominance of the winning team. While Morocco may not be considered a top-tier team, a 10-0 victory is still a significant achievement and should be celebrated by the winning team. It is a testament to their ability and should not be dismissed as unworthy simply because of the opponent.
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'DSDS winner'
The winner of DSDS, which stands for "Deutschland sucht den Superstar" (Germany seeks the superstar), is the contestant who receives the highest number of votes from the audience throughout the season. This winner is crowned the "Superstar" and receives a recording contract as well as the title of the show. DSDS is a popular German reality television show that follows a similar format to other singing competitions like American Idol. The winner of DSDS gains recognition and often goes on to have a successful music career.
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Who is standing at the podium?
The person standing at the podium is the keynote speaker for the event. They are typically an expert or a notable figure in the field related to the event's theme. The speaker's role is to deliver a speech or presentation to engage and inform the audience.
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What is a youth room podium?
A youth room podium is a raised platform or stage area within a youth room or space, typically used for various activities and events. It provides a designated area for youth to gather, perform, or engage in group discussions or presentations. The podium may be used for hosting youth-led activities, such as talent shows, workshops, or group meetings, and can serve as a focal point for the youth community within a church, school, or community center.
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